Sunday, December 30, 2018

A Little Love For The Humble LP Dust Sleeve

Capitol 78 corporate sleeves
Let's talk about dust sleeves.  You know, the inner sleeve that protects the record from dust and scratches and goes inside the record jacket.  Unlike long-playing albums, 78s didn't come in a cardboard jacket.  They were simply sold in a brown paper cover, often printed with the label's or the record dealer's logo. When 45 rpm singles were introduced in 1949, they were also sold in plain paper sleeves, often with the label's logo, and later in more collectible picture sleeves that featured images of the artist or a photo to evoke the mood of the music.


My 1959 NM original mono copy of Time Out
in its original glassine dust sleeve
Early paper record sleeves weren't quite the same as the inner dust sleeve which comes inside the cardboard jacket with 12" LPs.  Some of the albums I have from the 50s originally came with an inner sleeve made of glassine, a slightly yellowish paper with some of the properties of plastic.  At right is a photo of my original NM/VG+ 1959 mono copy of Dave Brubeck's Time Out with the original glassine dust sleeve.  Even though it's made from paper, the glassine manufacturing process results in a slick paper that is opaque and water resistant.  If you ever collected stamps you probably used little glassine envelopes to save and protect the stamps.  And in lots of old books, glassine pages were inserted to protect images or "plates" from damage.  While glassine is still around and in use, I don't actually store any of my LPs in the original glassine sleeves.

In the modern LP era, the vast majority of dust sleeves are made from paper or some type of polypropylene.  In the 50s and 60s, some labels used thin, clingy, half-round plastic sleeves.  I have a number of Columbia (and other) issues with those.  A lot of Japanese issues also used these half-round plastic sleeves.  They are notoriously hard to get in and out of the jacket.  You end up putting the bottom in first, leaving the open part of the sleeve at the opening of the jacket, which kind of defeats the purpose of using a dust sleeve to keep dirt and dust off the LP.  [You do store all your albums with the opening of the dust sleeve at the top of the jacket, right?  Right?]

The dust sleeve at left is from a 1950s Capitol release.  Since most people were used to dealing with 78s, Capitol felt the need to explain what "This Protective Envelope" is for, noting that it "keeps your record dust-free and helps guard the grooves against scratches and abrasion."  They also helpfully provide tips for how to insert the sleeve back in the jacket.


MoFi dust sleeve
Overall the most common sleeves are plain paper, with or without a hole to show the label.  While many are just plain white, record labels quickly began to take advantage of the real estate available on the sleeve to advertise their other albums and promote their brand.  Later, certainly by the 60s, the record companies began to create custom inner sleeves with art, photos, credits, liner notes, song lyrics, and the like.  I suspect it tells you something about the label's level of support for the band or performer if they go all out for a glossy custom dust sleeve. And of course custom sleeves are great for the listener, as they provide even more space for art, notes, photos and information about the recording session and the artist. 

There are any number of available after-market
Sleeve City 2 Mil poly sleeve
sleeves 
to replace lost of damaged sleeves or just to provide better protection for your LPs.  One of the best known is the MoFi (Mobile Fidelity) style sleeves (above), which are made by numerous manufacturers.  While they resemble rice paper - with a smooth, soft feel - they are made from polyethylene.  Essentially a big plastic pouch, the back has a sealed white paper stiffener to support the sleeve and make it easier to insert into the jacket. The MoFi style sleeves are very nice, but somewhat expensive, so I mostly use them for rare and valuable records, not the bulk of my collection.  For normal LPs, I use a type of high-density polypropylene sleeve.  In fact, the first thing I do when I buy a new or used record is wash it on my VPI record cleaning machine and put it in a new poly sleeve.  (I save the original sleeve in the jacket as well.)  I use a 2 mil thick sleeve made by Sleeve City.  I find 2 mil to be the ideal weight -- the sleeves are thick enough to be easy to insert into the jacket, but not so stiff that they can scuff the record surface.  They have a smooth feel and anti-static properties, so the LPs don't cling to the plastic or develop a static charge.  They are also a good value, particularly if you buy them in bulk.

While I don't use them to store my records, I really enjoy looking at the original corporate and promo dust sleeves.  They are often a miniature time capsule from an earlier era, with insight not just about the music of the day, but fashion and hair styles, marketing techniques, the latest hi-fi equipment, social issues, and even the cost of living.  As an example, notice that the RCA sleeve at left offers to send you a copy of their complete catalog if you send them a quarter.  And below is an ad introducing "The Exciting New Way to Enjoy the Music You Want," called, at the time, "RCA Stereo 8 Cartridge Tape," better know as the 8-track tape. 






Dust sleeves can also provide valuable clues for dating a particular pressing or release of an LP.  If your LP is an undated repressing, you can sometimes narrow things down by checking the release date of the albums advertised on the dust sleeve.  If you think you might have a first pressing, be sure that the dust sleeve doesn't advertise any albums that were released after the original pressing date.  If so, then you probably don't have a first pressing.  In addition, some albums have a custom insert - maybe a lyric sleeve or poster -- that was not included with later pressings.  However, keep in mind that if you are buying used albums, you can't discount the possibility that the previous owner put the disk in the wrong sleeve.  On a recent online order I received, about half the LPs were in corporate sleeves that didn't match the label.

Because so many used LPs come with the 
wrong dust sleeve, I have dozens and dozens of extras.  I save them, and from time to time am able to match up an album with the original sleeve, even for releases that are 30 or 40 years old.  

While I always prefer to have the original inner sleeve, it's not a big factor to me when I'm shopping for used vinyl.  When shopping online, you generally won't know anyway, since dealers rarely mention the sleeve in the item description unless it's unusual or damaged.  The exception would be for custom dust sleeves, posters, or other inserts -- like the cutouts from Sgt. Peppers.  And even then, if the vinyl is in prime condition, I figure sooner or later I'll find a cheap copy with a trashed LP but a jacket and inserts in good condition. 

Dust sleeves are just one more reason why I find collecting LPs such an interesting hobby.  Enjoy the music!






2 comments:

  1. Hi, do you have information as to how 45 rpm sleeves were produced in large numbers, i.e. folded and glued

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    1. I have actually made some 45 sleeves for some singles I have that were missing sleeves. I took one apart to see how it was made. It's just a piece of paper folded in half. The top part has small flaps on the sides that are folded in, and the bottom part is folded up and the edges are glued to the flaps on the sides. The bottom of the sleeve is the fold. I imagine it would be pretty simple to design a machine to do the folding and gluing once the blanks are cut.

      Regards, Tom

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